NaPowrimo Day 5

 

Monsters in the Mundane


The monsters

 

i.

Kronos

at the ‘all you can eat buffet', eats little. His towering form cramps itself on the little plastic chairs. He is seven foot tall, but has the density of stone.

He tries to tell the other deities that his appetite has gone, and that frankly, this kind of work do is wasted on him. His gut feels unpleasantly heavy, as if it were loaded with rocks.

His son, who once unzipped his da's stomach -all that middle aged spread, the pale unsunned skin , is lording it at the head of the table, his talk curlicued with nymph and dryad.

Kronos stands, the rocks grind and spark and hurt. He pretends to smile. The smash of alabaster is terrible.

More godkids and even humans dance on

 

ii.

At the Erl King's magic show,

there is never an audience.

Parents are always disappointed

 

The Erl King is as permanent,

green and changing as the forest.

What he has taken will not be returned

 

Iii

 Taylor Swift destroys Tokyo

with one decisive, punctuated

stamp to the down town area.

Her 70 foot form blurs and

smashes. She is giant yet fast.

 

Meanwhile the Kanye kaiju

erupts from the pearly ocean

to swallow New York, two bites.

These are arbitrary examples

and mean nothing important

save to show, how clumsy a metaphor-

 

the outsized overblown

monstrosity of celebrity.

 

Iv

 The Cailleach is sorting

your worries like staples

from a surrendered manuscript .

 

Later, in her power suit

she resembles April evening

as she tells you , in her publisher voice

 

this a bestseller. The book

is about life. You are so ordinary,

together you bury the gold.

 

V

My brother the chimera

at work, pouring the wine

to undiscerning customers

 

"I never know how you stand it-

you have the patience", I say,

"of a saint".

 

His lion face

His scorpion replies

His vertical yellow eyes

His milk fur

A cool distant bird

 

Vi

 Cthulhu

 

extending his cosmic limbs

greatly into the cranny of the old fashioned lemonade bottle,

feels himself drawn in.

 

His bulk in a small confine. He has never felt so safe.

His colours change. Praise. Spectra and hue

and hyperchromatica.

 

Rare for a kitchen porter;

he makes us question the meanings of reality.

 

Vii

 when I moved house, I

left my bed behind

and didn't warn the incomers

about the nightmares.

 

Sorry, and also to

the cauchemar's reaching hands,

lily and pleading

like a scared child

 

so hard to be

the one forgotten


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